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Friday, June 18, 2010
Watching: The Princess and the Frog
Warning: Spoilers Ahead
I remember hearing that Disney was bringing back their 2D animation studio, and was pretty happy about that until I heard that the first thing out of the gates was going to be another princess movie. It was to feature a black princess, which excited people for about ten seconds before they started complaining. Why is her prince not black? Her name isn’t black enough! Etc, etc, etc. Drama. Walt Disney World was laden with banners and advertisements for the upcoming release of the film, and I really wasn’t all that excited about it. Usually I’m on board with seeing films in the theater (there’s nothing quite like a dark, quiet movie theater for immersing yourself in a film – emphasis on the quiet), but I really didn’t want to see The Princess and the Frog.
After the movie was released, I was expecting to either hear an ecstatic response, or a multitude of groans about how horrible it was. I heard neither. Maybe it’s because all of my media sources hadn’t seen the film in theaters, but then I didn’t hear about it after it came out on DVD, either. I figured, though, since Tiana was clearly a new Disney Princess and a mainstay, at least for a while, at the parks, I should at least see the movie so I would know what it was about. Into the Netflix queue it went. (On Blu-Ray,of course!)
Johnathan and I sat down to watch it with much reluctance, expecting that we would not at all appreciate it for what it was. We popped in the blu-ray disc and navigated through the approximately eighty previews to get to the menu, only to have it sit on that lightning bug for something like eight minutes before we gave up. It occurred to Johnathan that maybe the disc was prompting our system (Playstation 3) to look for a network connection before allowing us to go to the menu, so he went to unplug our router (which was currently just plugged in, but lacking in internet connection as Time Warner had disconnected us before our requested date, and we had not yet gotten our DSL modem for our new AT&T service), and poof! It worked! We had a bit of a facepalm about that, then proceeded in starting the movie.
I loved the style from the beginning, though Johnathan wasn’t as fond of it. I thought it pulled really well from the popular art style of the time. The story was pretty cute from the start, and we had a moment of amusement when we recognized John Goodman’s voice (it was akin to our “Patrick!” recognitions). It was cute. Princessy white girl and the black girl and her mother – mom’s telling a fairytale and sewing another princess-y dress for the white girl while the black girl enjoys the story, too. Appropriately, the story told is The Frog Prince. What else would it be? Then we see how Tiana lives – in a poor tenement with parents who clearly work very hard for what little they have but dream of having a better life. Then we are introduced to the moral: hard work and love will get you everything you need. Aww.
Tiana and her friend (whose name escapes me right now, but is definitely a spoiled princess by nature if not by title, but she’s at least not mean-hearted) grow up and Tiana works hard at two jobs trying to save up for her dream restaurant while the other girl is a rich daddy’s girl who is trying to woo a prince who is coming into town that very day. Plot point! Blah blah blah, Prince is arrogant, Tiana is prejudiced toward him and they both end up getting turned into frogs by an evil witch doctor who wants Big Daddy’s money, even if it means tricking the poor little rich girl into marrying a man who looks strangely like a monkey (the prince’s henchman). Through a series of wacky hi-jinks, Tiana and the Prince start to get along and fall in luuuuurve, and then there’s drama and a little creepiness and everyone lives happily ever after. That’s a seriously simplified version of how things went, but the ultimate sentiment is true.
The moral of the story is hard work and love. That stays consistent throughout. Tiana has her eyes fixed hard on her prize (her dream restaurant), and Prince Naveen wants some money so that he can continue living high on the hog and having fun without any responsibility. Big Daddy’s Princess wants to marry a prince and really doesn’t seem to have any goals at all outside of becoming a wife. Big Daddy’s Princess seems worst off out of everyone because she doesn’t really learn anything through the end of the movie, although she is a refreshing take on that type of character. She is not mean-hearted, even if she is spoiled, and ultimately she refuses to let Prince Naveen “sacrifice” himself by marrying her, but agrees to help Tiana and Naveen anyway. The others grow in their own way – Tiana learning that maybe hard work isn’t all there is to life (love) and Naveen learning that love of fun and money isn’t all there is, either (hard work and love). Aww. They get married and then, through hard work and a little help from Big Daddy’s Money, fix up the restaurant that Tiana had almost been blocked from buying because she’s a poor black woman (three strikes, you’re out).
There was a lot of humor in this movie, which I think helped it along, but there was a prevalence of dark elements which surprised me. The villain was a voodoo witch doctor who called on evil spirits to help him do his dirty work. He had a real motive, which is not something I have been able to say of all villains in animated films. He wanted Big Daddy’s money. (I’m sure that character has a name, but frankly I’m too lazy to look it up.) He saw that Prince Naveen and his henchman had something that they wanted and used those wants to draw them into his evil plot. I’m not entirely certain why Prince Naveen had to be turned into a frog, but without his frogginess, we wouldn’t have had a Frog Prince story, would we? The evil spirits were actually pretty frightening in their ability to move about, and I was impressed with how unabashed the evil-ness was. As a small child, it would have terrified me. I remember being frightened by Sleeping Beauty and Alice in Wonderland as a child, though, so it wouldn’t have been out of line with some of the other Disney films. I actually quite liked the dark elements. It gave a real sense of danger and of conflict that propelled the movie along.
The Princess and the Frog also dealt more openly, I felt, with things like World War I, racism and sexism. Tiana’s father, it is implied, has died in the war, which I found to be an interesting element. It is never explicitly stated, but anyone with a knowledge of history should be able to glean that from the brief shot of his photograph in uniform on her desk. It might go over the heads of some smaller children, but they’ll figure out soon enough that he died, without having to go into great detail as to why. The racism and sexism come later when Tiana has finally worked hard enough and earned enough money to purchase the old sugar mill which she and her father had dreamed about turning into a restaurant. She gives the money to the realtors, and asks them to bring the contract to sign as soon as possible (smart girl) so that they can seal the deal. They agree, but later “regretfully” inform her that she has been outbid, and unless she can come up with the difference within a few days, the other bidder will own the property. The realtors comment that it was probably a bit much to take on for someone from “her background.” They are, not so subtly, referring to the fact that she is a poor black woman. I thought this bit was quite bold of Disney to address, considering it would have been the exact kind of opposition that any woman, but especially a black woman with no means other than what she creates for herself, would have experienced. Obviously she could have purchased another place, but she wanted that one, and what’s to say that she wouldn’t have run into the same kind of opposition for any property that she tried to buy? She was blocked from buying that which she had the means to purchase, simply because those selling viewed her as inferior. There are sexist overtones to the statement, too, but the racism is the strongest part. I really admire that the people involved with the film were willing to leave that element in.
Ultimately, she does get her building, and she buys it with her cans of money, but she has a little help from the alligator that she and Naveen befriend in their adventures in the swamp (grrrooowwwl!). It’s a little bit of a cheap way of her getting what she wants, but I’m glad that she didn’t have Big Daddy’s Princess sweep in and do it for her. This way, ultimately, she was getting what she wanted, largely on her own terms. And then she and Naveen do it the old fashioned way: by hand. I’m sure there was a little assistance from Big Daddy and Big Daddy’s Princess, and perhaps even Naveen’s parents, but I feel like Disney is showing that they ultimately did the work.
By the end of the film, it did start to smack us over the head a little bit, I liked the message. Magic didn’t get them what they wanted in the end, their love and hard work did. That’s not a bad thing to tell kids, especially with all of the other Disney films using such an emphasis on magical intervention and Happily Ever Afters. It’s the most realistic Happily Ever After I’ve seen in a Disney film. I really, ultimately, enjoyed the movie. Is it a perfect film? Not by a long shot. But I liked the story and the humor, and even the music was interesting. The art style was attractive and appropriate, and different than other Disney films, which makes it a unique creation. I’m sure Johnathan won’t be totally thrilled about this, but I’d like to own the movie, to put it on the shelf with the rest of my Disney fairytales that I go to when I need a dose of the unrealistic and magical. It was a pleasant way to spend an hour and a half. I just hope they’re not already planning a sequel. (No more sequels, Disney! John Lasseter, I’m looking at you!)
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